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ADULT Jim Giraffe Tom Boler Manual CHILDREN Mouse Noses Sensible Hare Penguin Pioneer |
Boxy an Star {Abacus 1999 UK paperback, Abacus 2000 UK paperback, Rogner & Bernhard 2001 Germany hardback, Newton & Compton Editori 2006 Italy paperback} My first novel for adults, shortlisted for the Guardian First Book Award and longlisted for the Booker Prize. Translated into German. Translated into Italian with the title Pasticche D’Amore, which means “Love Pills”. To be made into a film, with me as screenwriter and photographer Rankin as director. I don’t like the artwork for either of the two UK editions, but love the artwork for the German and Italian editions. Nice work, Europeans! “King is an exceptional writer - warm, modern, daring and oozing sweetness and beauty - and we desperately, urgently need more voices like his.” Julie Myerson, The Independent “King takes up themes developed in other chemical generation novels, such as Irvine Welsh’s Ecstasy. Emotions are heightened, passion is more immediate, and the comedown is more destructive. Boxy an Star is the most successful of these novels because it is entirely prelapsarian, at least for the lovers Bole and Star. They are too young and too stoned to appreciate the dangers - that is left to the reader. And reading this novel is like skateboarding around an abyss; at any moment, the ground is going to disappear.” Nicholas Blincoe, The Guardian “Bole’s breathtaking naivety is a source both of humour and of quite striking observations of the Martian-sends-a-postcard-home kind, while his inarticulate pain achieves a shocking simplicity verging on the poetic. This is an extraordinary debut.” Christina Patterson, The Observer “Daren King’s debut, Boxy an Star, was far and away the best of the novels about the ecstasy generation which proliferated in the 1990s.” Laurence Phelan, The Independent “Boxy an Star is a total success: finely paced, wildly funny, deeply touching. I relished the lovely Joyce-meets-Estuary coinages. Subtler, and harder, is the inch-perfect comic timing that makes many scenes sound like some delirious encounter between PG Wodehouse and William S Burroghs.” Boyd Tonkin, The Independent |
B&W photo by Rankin
